![]() ![]() ![]() The plot is clear the subplots reinforce the main plot the surprises are not too.It's less odd than any of his other books (which might win him a larger audience): It might be both self-confession and wishful thinking by the author. how we take what we know and fashion it into fire.Īnd as a presentation as a sofa-activist, it strikes a chord. and implicitly of the process of any improviser. Wonderful presentation of a jazz musician's process. Reliance on coincidence, but no more so than Charles Dickens did.Much more description than conversation.This (like the previous point) is a way of getting the reader to pay extra attention to the text. The change of rhythm between un-metered and iambic ![]() Much of the text is iambic, so one almost feels it is. ![]() Trying to remember if they have heard of some particular thing outside of a Crace novel. Their names and attributes are plausible enough to be real. With inventions of just enough sayings and songs, plants and creatures.
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